Kollektivnye | Kollektivnye


Here we are, Kollektivnye. A collaboration, a diasporic flock emanating around the world, and we have a delivery clasped tightly in our beaks, just for you.

Author Archive
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Brazil
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Brazil
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dir. Terry Gilliam (1984), UK Since the publication of George Orwell’s 1984, the year itself has become synonymous with negative utopias. The novel was written in 1948, at the start of the Cold War, and is widely regarded as an important literary critique of totalitarian political systems.
Shut up and Sing
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Shut up and Sing
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dir. Barbara Kopple & Cecilia Peck  (2006), USA Popular music and politics have shared a long, often turbulent history. From Beethoven to Pussy Riot, musicians have frequently proved irksome to governments for drawing attention to the uncomfortable, albeit important issues of the day.
Enter the Void
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Enter the Void
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dir. Gasper Noé (2009), France In 2002, Gasper Noé pushed the cinematic envelope with Irréversible, his anthropologic exploration of humanity’s highest and lowest forms. Marshalling the most sophisticated film making and narrative techniques to tell a simple story of perverse intensity and violence, Noé created a film both celebrated as a masterpiece, and reviled as...
Bronson
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Bronson
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dir. Nicolas Winding Refn (2009) UK “You’re a very sweet man, Charlie,” says Irene (Kelly Adams), “but you’ve got no ambition.” It’s hard to know whether you agree or disagree, for Charlie (Tom Hardy) may be blessed with a roguish grin and a charismatic naïveté, but he’s also Britain’s most violent prisoner, a pugnacious powder...
Blade Runner
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Blade Runner
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dir. Ridley Scott (1982), USA Ridley Scott’s Blade Runner may well be the most densely layered cult film of all time. The amount of excogitation, both intelligent and otherwise, that it has generated is astounding. So much so, that it rivals that of fellow travellers in cult science fiction, Star Wars and Star Trek. Unlike these...
Chinatown
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Chinatown
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dir. Roman Polanski (1974) U.S.A. Los Angeles, 1937. When private detective Jake Gittes (Jack Nicholson) is hired to keep tabs on an unfaithful husband, he assumes it’s going to be just another routine snoop job. The investigation takes an unexpected turn, however, when the guy he’s been keeping an eye on – a high-ranking official...
Lost Highway
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Lost Highway
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dir. David Lynch (1997) U.S.A.   Aside from a handful of pioneers in the field, no filmmaker better personifies the surrealist spirit than director, David Lynch. Eraserhead, his first feature after several promising but rarely seen shorts, was a remarkable product, culminating five-years of intermittent shooting and postproduction editing. A popular midnight movie and cult film...
Oldboy
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Oldboy
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dir. Park Chan-wook (2003) S. Korea   Oh Dae-su (Choi Min-sik) does not know why he was locked up for fifteen-years. Nor does he know why he was released again. Going into a sushi bar, he asks the chef for “something living.” Yet this scene, in which he eats an octopus and collapses with its tentacles...
Shame
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Shame
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dir. Steve McQueen (2011) UK/USA   Just as Bobby Sands drew his last breath in Steve McQueen’s exquisite cinematic debut, Hunger, so each sharp intake in the British writer/director’s handsomely produced follow-up accentuates life’s brittleness. Synoptically, Shame is a film that attempts to penetrate the psyche of a thirty-something satyromaniac named Brandon (Michael Fassbender) –...
Badlands
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Badlands
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dir. Terrence Malick (1973) USA   Terrence Malick is one of the most prestigious members of the generation of American filmmakers commonly known as the Hollywood Renaissance. With a strong interest in visual cinema that recalls the aestheticism of Hollywood’s golden-age directors, particularly John Ford, Malick’s work is characterised by an innate fascination with symmetrical...
La Haine
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La Haine
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dir. Mathieu Kassovitz (1995) France. From Tahrir Square to Wall Street, via Tottenham Hale and the Northern Quarter, 2011 has been a year defined by demonstration. Acknowledging this, and in response to Time Magazine’s naming ‘The Protestor’ as its Person of the Year, my attention was drawn, inexorably, to La Haine: Mathieu Kassovitz’s powerful, timely...
Dark Days
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Dark Days
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dir. Marc Singer (2000) UK/USA.   In 1994, British expatriate Marc Singer met John Murphy – a homeless man on the streets of New York. “He would always talk about the tunnels under the city”, recalls Singer. “He told me that, in the tunnels, you could build yourself a house and have electricity. He heard...
koll•ek•tiv•nye

noun/kə’lɛktɪvni

1. A cooperative group of individuals, motivated by at least one reciprocal issue or interest, who work together to achieve a mutual objective.
2. Formed by collective; aggregated.
3. Denoting numerous persons or entities considered as within one grouping, frequently resulting in holistic gain.